NEGATION

My paintings operate through accumulation, obstruction, and erasure.

Black functions less as a color than as a structural force: it interrupts visibility, compresses space, and destabilizes the image before it can fully emerge.

Gestural abstraction becomes a field of negotiation where marks compete, suppress, and overwrite one another. Fluorescent color persists beneath these acts of cancellation as residue, memory, or resistance.

Rather than arriving at resolution, the work remains suspended in a state of instability — between appearance and disappearance, construction and collapse.